WHAT THE HECK HAPPENED?!

[Ray2master]

Someone hates my sig, obviously, but I've had that sig for a long time, and no one's complained. Sp why all of a sudden has my sig been taken off, yet a different person with a LARGER sig gts to keep his?

[Hunchman801]

I'm sorry for having "deleted" your sig, but DIDN'T YOU SEE THAT IT DISTORTED THE BOARD LOOK?!?

Y'know, I don't impose limits for the signatures width because I have nothing other to do. I do it for the forum NOT TO BE DISTORTED! NOT TO BECOME UGLY! So please lessen the width of your signature, I just want people to keep their sigs under 500 pixels width!

A different person with a LARGER sig keeped it? Then JUST TELL ME WHO HE IS for me to do the same for him!

[The Knocker]

If R2M knew that you removed it because it was too big, he wouldn't have yelled. You're yelling quite unfair to him now, Hunch...

But R2M, i made your siggy too big, if you want, i can make it smaller!

[Hunchman801]

If R2M knew that you removed it because it was too big, he wouldn't have yelled. You're yelling quite unfair to him now, Hunch...

It was written! If he had read the topics before yelling, it wouldn't have happened. Do you remember his "2 things" topic? The same!
Forgive me, R2M, if I was angy, but you ought to read the news before before posting everything.

[The Knocker]

Yeah, R2M, you should pay more attention to the announciations.

PS: I think you done a great job Hunchman!

[Ray2master]

For so long there was no change. Than suddenly, rules have changed and my sig was gone. It's a sudden shock. I wasn't here when there was a news up-date. How was I to know?

And at least you're not going to bann me for it like Jona NL did on the RZ. So I must thank you for that.

TK, can you give me a new sig, then? If so, topic settled, and this can be locked.

[Sbir']

Hunchman never will ban you for have a too big signature I HATE THE RZ IT IS STUPID IT STINKS so don't to pay attention to them and stay here and in your cool board

- R2M edited this post due to swearing.

[Gigaman]

I left RZ too and i stay here and some other boards.

[The Knocker]

For so long there was no change. Than suddenly, rules have changed and my sig was gone. It's a sudden shock. I wasn't here when there was a news up-date. How was I to know?

And at least you're not going to bann me for it like Jona NL did on the RZ. So I must thank you for that.

TK, can you give me a new sig, then? If so, topic settled, and this can be locked.

Sure, ill make you a new one

[Ray2master]

If that's the case, then problem solved!

[Matyuv]

This paper is about my arse, in particular that aspect that deals with visual language, both pictorial and written. I write not as a traditional art historian, but as someone who was exposed early on to the Metropolitan and the Modern Museums in New York, and who went the way of the artist at first, then designer and art director, brand strategist and currently design professor.

[th3()ne]

A Conversational Network is the most personal of all four because introductions are made through actual communication instead of just a profile or a list of interests. The medium of Conversational Networks are weblogs or blogs, which is a journal published on the Internet that contains a mixture of what is happening in a person’s life as well as the latest web trends. Blogs are updated regularly and can be maintained even by people with little technical knowledge through the use of a program or script. What happens is that a person read someone’s blog, and then gets a general idea of the author based on what he or she writes in the blog. One can even participate in someone’s blog by adding comments on their entries. Bloggers—those who own and write in blogs—have the choice to ignore their readers or reciprocate by reading and placing comments on the blogs of their readers. Then they can develop a more personal relationship through e-mails, chat, or an eyeball, a term used for people from the Internet who meet face-to-face for the first time.

[Matyuv]

Along the way, due to my abiding interest in art, I worked in three art museums, eventually becoming the director of the graphic design department at The Museum of Modern Art in New York, which produces the graphic design for exhibitions, publications and marketing.