Lottery!

[skateboarder]

when 15 people will put their username on this topic I ll say the winners and the first three to be extracted will win:
first winner
200 tings + awesome very detailed (that should take 40 minutes) sig by me + a website or forum
second winner
100 tings + awesome very detailed (that should take 40 minutes) sig by me
third winner
50 tings

the rest will get a booby prize of 5 tings

[Hunchman801]

It's a good idea but I'll install a real lottery on this forum ! After you'll be able to make sig/websits

[Ray2master]

Excuse me, but how do we work this? How do you get a winner? Are there tickets or something?

[Hunchman801]

Go here :
http://dynamic4.gamespy.com/~goldensun/phpbb/
they put a MOD on phpBB which makes auto lotteries !

there is a lucki dice too but i won't put that

[Ray2master]

How does someone win, though?

[Hunchman801]

PHP pow@

[The Knocker]

Get that Lottery on!

[Xenesus]

Get that Lottery on!

It would be awesome.

[Ray2master]

Please pardon my ignorance, but I'm still having trouble comprehending.... At leastgive a link so I can participate....

[The Knocker]

This forum has to become as big as the GoldenSun forum.

[GekSliver]

ok, im here, and no, i'm not insane!!!

do a lottery!!!

[Hunchman801]

A lottery ? OK i'll think to it

PS : the gs forums ? there are points too

[Gigaman]

How can you win in this lottery?

[Hunchman801]

Luck only

[The Knocker]

How would you make the lottery?

[Beebop]

what do you win

[Gigaman]

Read or Read the first post

[The Knocker]

The lotto is out of buisiness now, untill skateboarder comes back...I'll have to lock this too

[Matyuv]

Along the wall, due to my abiding interest in art, I worked in three art museums, eventually becoming the director of the graphic design department at The Museum of Modern Art in New York, which produces the graphic design for exhibitions, publications and marketing.

[th3()ne]

Most recently, I am in the process of revising the course material, responding both to student input and to my interests in the larger story of visual representation and the opportunities afforded by the database model. For the first two terms, I organized the course on a largely traditional chronological model, with design, fine art, writing, illustration filtered through my attempt to revisit the entire history of visual representation according to a design-dominant paradigm. I have now re-organized the course such that each lecture now encompasses both the historical and the contemporary, presenting a slice of the database pie; a story, in other words, that begins with a database sort of visual images.