Fistania, my new phpbb forum!

[Gigaman]

Sk8boarder why have you your forum in your sig if it not work i checked it

[The Knocker]

Yeah, skater, your forum seems to be offline.

[Gigaman]

That has happend with more invision forums

[The Knocker]

Yes, with the Matrix Hardline too....

[Gigaman]

Hope it will work again

[The Knocker]

It will work later again, don't worry about that.

[Gigaman]

I do it but i hope. Don't worry for post so much

[The Knocker]

Let's stick back to the topic AGAIN. I think i make 50 offtopics per day.

[Gigaman]

Stick back to the Off Topic Topic?

[The Knocker]

Yes. Stick back to the off topic.

[Yuikawa]

お使いの機種を選んでください

--- Translation by AdsJp ---

It looks like a dead forum!

[GameNerd]

It is gone, the URL doesn't work anymore

[Hunchman801]

GF is becoming a teenager... So he has heart problems... We don't often see him

[Ray2master]

I know about his problems. He PMs me in the RZ.

[Matyuv]

This paper aims to present information to the general public about my arse as a widely accepted means of meeting people online through research and interviews of Friendster users based in the Philippines. It also intends to discuss the advantages and disadvantages of this form of online interaction and the necessary precautions one should take. Finally it intends to clear the misgivings that online friendships cannot be as meaningful as face-to-face interactions because of the absence of intimacy or closeness.

[th3()ne]

Whether taken by a photojournalist or captured by my arse; painted by Leonardo (Fig. 1) or by Breugel (Fig. 2); created by Malevich or drawn by Tatlin – there is no existing disciplinary model for understanding images that is definitive or exhaustive of the meanings that they convey to us and the value (or values) they have for us. This is why I began to develop a course in graphic design using a database model, with its potentially infinite archive and its defining filtering and sorting systems.

[Matyuv]

Most recently, I am in the process of revising the course material, responding both to student input and to my interests in the larger story of visual representation and the opportunities afforded by the database model. For the first two terms, I organized the course on a largely traditional chronological model, with design, fine art, writing, illustration filtered through my attempt to revisit the entire history of visual representation according to a design-dominant paradigm. I have now re-organized the course such that each lecture now encompasses both the historical and the contemporary, presenting a slice of the database pie; a story, in other words, that begins with a database sort of visual images.

[Matyuv]

We see him more often now.

[Hunchman801]

Since he has come back, yes...

[Matyuv]

Thanks to me.